Unpolished

 

The Ocean


Throws up a stone,

Flattish, nearly round,

Found by a child,

Who feels it,

The rasping nick,

It's nearly a heart.


Salt water laps at their feet,

Hungry for the stone back,

It's incomplete


The child skims the stone,

It bounces along 

Waves trying to catch it


Hearing their name called,

Child, 

Looks back to the land,

Each wave draws the stones back,

The sand slows our child's progress

towards the sound,

Loving each step,

The depth of the course, grey sand

pulls down like quicksand,

A lovely sinking feeling

Lulling


The little sojourner performs a strange

slow dance

when laughter from the voice

beckons

Come on you,

It's time,

Race you back 










Wishes - a thought experiment on grief


You must be specific with wishes. 

A genie has already spent one hour paying close attention to the details of a special teddy bear whose fur must be a certain shade of pink, whose smell be a specific kind of sweet and whose voice be an absolute replica of a deeply loved one. 

The child, though only six years old, knows not to ask for the loved one to be returned in full, having fully understood the concept of death because of experiencing it first hand. 

People cannot be wished back to life. That's something fully understood by the child who has prayed and wished for this over and over again and been held in her despair by others who dearly love her but not, perhaps as dearly as the one the child has wished for. 

The child who knows what happens in life when a dearly loved one dies, loses hope but gains experience and understanding which goes very deep into their soul. 

When the genie has granted the child's three wishes, the colour, the smell, the voice, the teddy bear itself is the gift from the genie, encompassing the three wishes, after which, the genie has little time or patience to listen to the wishy washy vaguely articulated wonts of the ones who come begging after. 


It'll wear off, or at least fade no doubt. Genies have a job to do. Genie will return to work and pay more attention, but perhaps with a little diminished enthusiasm. Which is totally understandable. 


                                                          **


                                 







Bee

 

Everyone has at least one moment in the sun.  Iaso was enjoying one of hers sitting outside on a hot afternoon during a particularly warm summer.   I am a solar panel she mused, storing up this warmth and energy for the dark days to come.    Just then, a buzzing sound approached her and as she began to open one eye, the heavy black buzzing thing landed on her cheek bone and she felt it pierce the skin there. 

WOAH !!!! Iaso's moment ended just as she leapt up and swatted the thing from her. It flew away lazily, the largest, blackest bee-type creature she'd never encountered before. 

Infront of the mirror, Iaso took some tweezers and pulled it's sting from her cheek, but with insufficient care in her panic, so leaving some of it embedded. 

                                                            *

She moved through the hospital's atrium as if through a dream. The Four Tops were playing I'll Be There somewhere up in the higher eschalons of the tall building, her mind logging it for later,  for now she must make her way to the accident department. 

                                                             *

 Yet it was not an accident.  Iaso has time to think as she sits upright, eyes closed, waiting for the medic to assess her throbbing cheek.   Something had come to attack me. In the midst of my moment in the sun.

                       

                                                             *

  Years later, Iaso draws the black, fuzzy being in her notebook, writes carefully, in pencil, so it reads like a whisper;  some things come from the outside,  some from within,  and some come from within to the outside and come again until we recognise them.  And Iaso gives the sketch the title ;   Bee.  -  Messenger. 


                                                            *






We are Memory

 

How far back can we remember ? 

One hundred years ?

I wasn't around in 1925 and my family talked about the Second World War all the time, but nothing about before because they were all born in the twenties, except my grandmother, who was born in 1901 but she didn't talk very much about the past, not even to join in with stories about the Second World War. I was told that her whole family had been killed when a bomb struck their home in the Liverpool blitz while she was in Formby with two of her children, my mother and her brother. They'd been evacuated to the nearby coast before the blitz. She was happy and loving and jovial when I was a small child, often singing in a high, sweet voice. A big fan of Bessie Smith. She recalled Paul Robeson singing to the workers in the Albert Dock in Liverpool. It's possible she was actually present since she worked at Tate and Lyle warehouse sewing sugar bags for a time during the war. In her later years, when Dad had managed to get a mortgage for a house over the Mersey and moved me, Mum and my brother out, Nana stopped talking. She would sit in silence, unable to walk unaided due to arthritis, undoubtedly in pain physically and mentally and unable or unwilling to enjoy life any more despite my uncle getting them a council house not too far from us so that Mum and I could visit every Sunday.  It saddened me that even the cup of tea cake I liked to bake for her couldn't bring a smile to her lips, me, the little girl she used to call Queen and sing You Always Hurt the One You Love and other plaintive songs to. 


No, my only link with ' before '  was a strange and wonderful contraption shaped like a cross-bow called a stereoscope which came with lots of postcards that you put in a slot at the end behind the lenses so that when you looked through them, the image was 3D, so magical for a child to look through and I became familiar with the beautiful and exotic images of Victorian people at the seaside, in glass houses, perambulating around a park or riding in horse drawn carriages or stood proudly in front of beautiful buildings. 


Not my memories, nor the ones of my family.  My father would tell of failing his school certificate and being allowed to stay on to re-take it, only to fail it again. Despite this, he eventually got a good job at Ford's new plant in Speke. My mother left school at 14 to go into training as a nanny. When I passed the eleven plus to go to grammar school, Dad's muttered, resentful comment was that he wished my brother had too, yet he found me a piano, abandoned in some school playground and somehow got it home for me and helped me paint it white and everyone, even the next door neighbours, let me play without discouragement, never telling me to shut up once. 


I once asked my Dad what he would like to have been if he could have been anything in the world and he said a concert pianist.


His own father died when he was 15 months old. Mum's father died when she was 10.

Mum died at 58 when I was 28. Dad at 69 when I was 39. 

They got me on the road from Speke to Yorkshire, out of the clutches of the poverty they were born into, but never quite far enough away for me to feel relaxed. My tendency to hoard the good stuff is testimony to that.  


                                                                *


But of history and memory, I know this;  


that my earliest memory is the sound of the greyhound, Mari, running up and down the stairs and my brother screeching with laughter and shouting  ' send her up again Nana ' 

yet this can't be my memory, it must be a story told me later because I don't remember Mari, the poor old worn out greyhound rescued by my uncle who worked looking after the dogs who raced at Anfield stadium,

still, sometimes at that liminal point when falling into the pit of sleep, these sounds clatter and echo and I wake with a jolt, sometimes sweating, feeling sorrow and pity for the dog, the darkness of those times and the loneliness of falling asleep. 


                                                               *








the ai goes out for breakfast

 

They/it/hier  slips through the door behind a blurry eyed early  morning customer and slides into a little wooden chair at the back of the greasy spoon to watch how everyone behaves.

Unfortunately, their/its/hier antenna isn't correctly adjusted or perhaps its a language system problem but whatever when they/it/hier approach the counter to order, the request comes out of the speaker system somewhat garbled


" A full eyelash with nose bleed and toes plead "

" Come again? " The cafe owner is becoming used to these kinds coming in being a bit bizarre but they always pay and tip handsomely so he's quite tolerant as a rule

This one seems a bit more unusual he thinks and says loudly and as clearly as he can 

" I BEG YOUR PARDON "

" GUILTY AS CHARGED ! " Comes the ai's reply and they/it/hier holds both plastic arms out, skinny metal sticks for wrists held together as if for the proprietor to cuff. 


*

Sometimes

 

Sometimes

I don't read things properly.

It's like looking at someone askance.


At others, I'll not understand, but

Read, read and read one hundred times.


Once I got a book out of the library consecutively for near on a year until

The librarian smiled at last and said

You must really like this book

But I just shook my head.

Gave it back next week



Kurt

 

Troubled soul in a landscape,

Muted colours, soft, open strokes,

Sometimes wild,

He paints for love, 

For life,

For hope 

And tries to rebuild

Something new

From something old



Re-visiting

 

1

I've been summoned

The headmaster's voice is 

Unusually quiet

It's about your poem

On war


I'm scared because I'm 

looking at my shoes

and they're not clean 

the route to school is long

and often dirty,

sometimes slippy 

infront of the tanning 

factory. 


Do you know what futile means ?

His tone is not unkind,

Maybe today he won't mind

my dirty shoes, so

Looking up I nod and meet his steely gaze,

Mum says it when she's cleaning,

It'll only need doing again 

Sir


Good girl.

His pat on the head 

makes me jump

You can go now.


Confused, 

I return to class.

It's sewing today.

I'm finishing my dress.


2


Our pictures are on the wall 


Mine is of our “ faithful” dog Prince 


Which is funny really 


Since he goes missing regularly 


I’ve written it quite neatly 


Along with 


I want to be a meteorologist 


And I omit to say because 


My dad says I should

 

Nevertheless 


He’s wiping a tear 


Could be he’s happy 


It's not always that clear




3


Writing draws me out 


A long string 


My mother knitted me 


Somehow 


This metaphor is insufficient 





Walking



This 

            poem

is

              put ting 


one 

             foot

infront

                             of

another 


Not 

walking

a

tight

rope


small

steps

tip

toe

tulips

all 

survive





1001

 

There are exactly 1001 

dilemmas that/which make up a story.


A poem speaks for itself. 

Sappho/Psappha

The poetess,

The Tenth Muse, 

Whose words were changed to 

suit the audience,

Sometimes,

No 31 becomes

a solitary song

overheard

the/her

Sapphic meter

carries the strength

Of Love and Passion

Over and Over

Her piety was/is

formidable.


        💘


Chosen Words - Our world in flux

 

Plumes


All

The

Wrong

Words


Accounting

For 

My 

Time


Thought flurry

Sound image


This

Sentence

Is

A

Sword


Silence


Why 

Time


Vessels


Seeds


Music

Which

Speaks

For 

Me


This

Country

Is

At 

War


Something

Resonating


Forgotten

Places

Private

Spaces



Spend 

It

Wisely


No

More

War


These 

Words

Are

Mine





Unpolished

  The Ocean Throws up a stone, Flattish, nearly round, Found by a child, Who feels it, The rasping nick, It's nearly a heart. Salt water...