More Scars
Four on my face.
Down the middle,
Starting at the top,
On the bridge of my nose,
slightly to my right side,
Hardly visible now, though fingers
can feel the ridge of it's healed edge,
It was a flap lifted by the metal catch
of the boot door as it slammed down
One day last summer when I was
feeling quite out of it,
And unable to judge my place
in
space.
I can't remember now whether the bee
had already stung or would sting me afterwards,
further over on the right cheek
on the bone,
Causing a cone of venom to drain
down nearly to my jaw, the
brown stain of it visible,
After the swollen
angry redness
of it
finally
s u b s i d e d.
Tracing the memory, I think the bee stung first,
Because I remember the afternoon it struck;
I was feeling well, bought a new blue dress
like the periwinkle or a bluebell I was thinking,
And the day was warm, quite sunny,
So I sat outside beside my son reading,
Happy to chat, ( studying can be such
a lonely occupation ) and felt relaxed for the first time
after months of tension over all the things
life's tsunami thrashes into us sometimes,
Especially after fifty.
I remember in the dreamy warmth of the
shaded spot, seeing
that dark shadow looming into view and
clouding
The vision in my left eye
As I felt the delicate
Brush of an insect's wings or feet, who
could tell in the split second before I leapt,
Out of my chair and screeched at the sharp
Stab of the startled bee.
Well I may have hurt it as I brushed
it away from my face.
It flew away with the same heavy frenzy
it had approached, but when I stood in front
of my bathroom mirror and saw the thorn
of its sting sticking out of my already reddening
cheek, I knew the insect would surely die,
and felt another stab,
This time of sorrow for its loss.
We worry about bees now,
And also,
I'd become quite sick of loss.
I know that seems a selfish notion to have,
In my position,
With so many blessings as those
around would picture me
surrounded by.
(I, like a tree in a beautiful wood,
with all the attendant flora and fauna,
Or a stone in a pond,
where creatures come to rest,
sun warmed, rain drenched, wind worn,
Resting,
Waiting,
Witness.
Yet no metaphor on its own is whole,
Transubstantiation,
Transmutation,
Certainly transformation,
is necessary for that,
and so,
dissecting the tree,
the stone that is me,
you find a space,
an airy gape,
the space of loss
that I'm coming to realise
is common.
It's hidden,
Which is strange for something
that feels so large and empty.
You'd think its yawning e m p t i n e s s
would be apparent
to anyone who looks.
It's eye-shaped.
Maybe a slash opening up.
A gash into reality,
Or some version of it.)
There is no visible mark that I can point to
on my cheek to illustrate the effect
that the bee had on me.
Perhaps the cone shape
of it's venom's trail,
revealing the lymph channel
in my cheek, will reappear
with the sunshine
this year.
I wait to see.
For now, there is nothing
but a round red patch, smallish,
remnant of something else,
Sleepless nights
Crying
Too much alcohol or
Worry and stress,
They all take their toll
on our epidermis,
To name but one part.
The heart bears the most brunt,
It's most susceptible to life's nuances.
People have sometimes complimented me on my skin,
How nice and smooth it is they've said,
How translucent and delicate they've exclaimed,
But,
It's beginning to tell the truth
about my age
and all the things
that have left their mark.
Scars,
Little signs,
Of life's events;
Time's telling tales on me.
To return to the centre;
Under my nose;
A very old scar,
Faded now to two
white lines,
They used to embarrass me
in my teens when some would tease
and say they looked a bit like faint trails
of snot not wiped from my piggy nostrils.
Two silvery threads,
faint shadows where
stitches had been put in
about aged 4 or 5
to stem the flow
of blood that streamed
when I fell onto the sideboard,
Playing my game of wrestling
that mimicked the drama on the telly,
One Saturday afternoon.
It's funny,
Though not laugh out loud so,
I can still remember it now,
Although I know
that the original memory has faded
and what remains in my mind
is a mixture of images,
Some of the furniture,
The room I could draw you
a detailed picture of,
And details
Like how I had the washing tongs
wedged open around my waist,
And what on earth that had to do with
wrestling we'll never know,
The thoughts and logic of the young child's mind
make no sense to the adult brain,
Even if it is housed in the same skull.
Other details I know are from the tale
told and re-told by my family,
Each member to another when
accounting for my injury.
A lot of guilt and angry arguments
about who let her and where did she get
and why on earth and so on until,
their words became my images,
taking their place in my own memory,
To fill in those gaps that were
probably lost under the trauma,
And pain of hitting the wooden edge
of the sideboard,
Aged 4 or 5,
One Saturday afternoon
as I jumped along the line of cushions
put out specially so as to soften my fall
as I leapt along,
The washing tongs around my waist.
Bizarre little child.
Why must she be so wild ?
Why weren't you watching her ?
I think I may have knocked myself out.
It's a funny place just under your nose
and I know it needed stitches because
the evidence is still there.
They left their mark.
The puzzle of it is,
The thing that brings me back,
Thinking about the memory,
Is this ;
I know I was in the front room,
That the wrestling was on the telly
behind me,
Someone watching,
My uncle certainly,
Maybe my aunty as well because I know she liked it,
But,
I also know that
the sideboard was in the dining room,
And I can see its bevelled heavy dark wooden edge
as it rises up towards me
falling into its ornately carved door,
Then bam,
The memory ends.
Therefore,
It would appear that,
I was in a different room,
When I fell,
And the memory of the game,
Has been tacked on,
Stitched together,
Like the skin under my nose.
Down from my nose,
The fourth,
And for now,
My final one,
( I better touch wood;
I am a superstitious person )
Is a white vertical line on my lower lip,
Just to my right of the middle where
I split it with the corkscrew
two Christmases ago,
When, coming home late to cook our Christmas
dinner, I opened an expensive wine and was
surprised by the long cork suddenly giving way
so that the corkscrew leapt up to my lip,
ripping it
god, what a fool I felt and
Oh ! What an inconvenience,
I was raging with myself,
But not surprised.
It was even appropriate,
Coming at the end of an arduous day,
A Christmas day like no other.
That began so sweetly;
An exchange of gifts,
Repeating a ritual
established so long ago,
Every time different.
At last reached a point of symbolism,
Each of us enjoying the thoughts behind,
the reasons for,
the effort and insight into,
presents wrapped and unwrapped.
The smell of coffee,
Excess of chocolate,
Quiet music that should be loud,
The wonder of it all
That we should be allowed to be,
Who we've now become.
Our small unit, tightly bound by
love and care and years.
Tense magic filtering the light,
Heightened sense of delight
In every detail
like the birds in the sunny garden.
Long time coming this Christmas,
A first and last in many ways.
These public holidays mark time
for everyone,
Aided or excacerbated by the sounds
and smells and imagery,
Dependent on how you feel
in the time.
The now that is calm.
And it came before the storm
Because later that day
we were busy
with a mission,
So impossible it seemed,
Even on this sunny Christmas Day,
To lever the ancient one out and cart him
to the home he'd once come from.
This old man.
He'd played time.
Played enough time to see himself
Taken from the life he'd imagined
Into some fantastic future
that didn't seem to involve him at all,
In his own eyes.
So we set out,
The four of us,
United on our mission
To take the old man home
from home,
One last time.
And right on cue,
As luck and Yorkshire weather would
have it,
The heavens opened.
The cloud burst and emptied upon
the area as the men were struggling
to bear the weight of the oldest one,
Hoping, straining, to get him home,
One last time.
Inside, my daughter and I busied ourselves,
Setting out the Christmas candles,
Opening the snacks and eating them as
we poured ourselves a steadying wine,
Another first; we'd never drunk together before,
The Rubicon was allowing us to cross that day,
Then as we bustled and busied about,
Helping the old man in and plying him with beer
and pie, and snacks and cake; too much food because
that's what Christmas means to the elderly,
Behind our backs,
In another room,
The water was seeping,
Weeping through the ceiling.
All heavens had opened,
All hands on deck
required to quell the flow,
To stem the tide,
Which has so often
coincided,
collided,
To run beside,
And create a living metaphor,
A parallel problem,
A thing in itself that mirrors,
And providing in its requirements,
Perhaps some therapeutic activity.
Wear yourself out.
It's some kind of release and relief,
To return dog-tired
and fall,
Fall through the door
Into the blackening calm
of the empty house.
Turn on the lights !
It's Christmas !
Time to make dinner !
It's so late we'll call it supper.
But first, let me open
the lovely Fleuri we saved
for this moment.
The rest is history,
I cut my lip.
And sat in silence,
Holding the napkin in
Semi-darkness wondering,
If it would ever stop,
This leaking of fluids everywhere.
Well the answer was no,
Probably not because
the next day we woke
to the strange sight,
Of the river down below,
Meandering, winding its way
and spilling like an inquisitive
lout,
Over walls and into playing fields,
Canal and River busting their banks
And joining ranks to flood the fields
and footpaths then onto the roads beyond.
We stood and watched in shocked silence,
Understanding by the look of it all that
The landscape irrevocably changed.
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